Flying_Houses_-_Notre-Dame.html
Flying_Houses_-_Le_Grand_Jour.html

Detail


From left to right, you can spot cameras used by Terrence Mallick, Orson Welles, Luchino Visconti in Rocco and his Brothers, Andrei Tartovsky in Stalker, Howard Hughes in Aviator a film by Martin Scorcese, Sydney Pollack, Akira Kurosawa, Wim Wenders in Wings of Desire, Charles Chaplin. Claude Lelouch, Georges Méliès, François Truffaut, Ingmar Bergman, Michael Powell & Emeric Pressburger in Black Narcissus, Stanley Kubrick in 2001:A Space Odyssey and John Ford. In the center, the android in Metropolis by Fritz Lang. In the background, there is part of the set of 20 000 Leagues under the Sea by Georges Méliès. Bottom right, a graffiti represents Danny on his tricycle in Shining by Stanley Kubrick. On the glass door, a red inscription almost disappeared, seen in Shining too : REDRUM (MURDER). At the top left, the planet Saturn and the rocket train in the film A trip to the Moon by Georges Méliès. At the top right, the USS Enterprise from Star Trek, a flying saucer from the Invaders and hidden in the darkness, a Death Star from Star Wars.

Detail


As you get closer, from left to right, you can spot cameras used by Orson Welles, Luchino Visconti in Rocco and his Brothers, Andrei Tartovsky in Stalker, Howard Hughes in Aviator a film by Martin Scorcese, Sydney Pollack, Akira Kurosawa,

The Journey to the Moon / Le Voyage vers la Lune - 2018


From the outside, this abandoned shed seems visited only by street artists. But behind the rust, the broken tiles and the graffiti, sleeps the studio of cinéma of George Méliès, the very first one in France. If you explore more closely this « Egyptian tomb », one can discover, buried under the cobwebs and the dust, the History of Cinema. There are cameras, movie reels, masks, costumes from all ages. Tarkowski, Scorsese, Kurozawa, Bresson, Visconti, Wenders, Mallick, Pollack, Godard, Kubrick, Hitchcock, Leone, Spielberg, Truffaut, Bergman, Scorsese, Coppola, Chaplin, Fellini, Lang are all there.


De loin, ce hangar abandonné, ne semble plus visité que par quelques graffeurs. Derrière la rouille, les carreaux brisés et les graffitis, sommeil pourtant le premier studio de cinéma en France, celui de Georges Méliès. En explorant de plus près ce tombeau égyptien, on y découvre, enfouie, l’Histoire du Cinéma. Il y des caméras, des bobines de films, des accessoires de tournage de toutes les époques. Tarkowski, Scorsese, Kurozawa, Bresson, Visconti, Wenders, Mallick, Pollack, Godard, Kubrick, Hitchcock, Leone, Chaplin, Fellini, Fritz Lang sont là... sous les toiles d’araignées et la poussière.

    Laurent  Chéhère  www.laurentchehere.com.html